Olympic Sculpture Park (Seattle, Washington)
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The Olympic Sculpture Park is a public park in Seattle, Washington that opened on January 20, 2007. The park consists of a 9-acre outdoor sculpture museum and beach. The park’s lead designer was Weiss/Manfredi Architects, who collaborated with Charles Anderson Landscape Architecture, Magnusson Klemencic Associates and other consultants. It is situated at the northern end of the Seattle seawall and the southern end of Myrtle Edwards Park. The former industrial site was occupied by the oil and gas corporation Unocal until the 1970s and subsequently became a contaminated brownfield before the Seattle Art Museum, which operates the park, proposed to transform the area into one of the only green spaces in Downtown Seattle.
As a free-admission public outdoor sculpture park with both permanent and visiting installations, it is a unique institution in the United States. The idea of creating a park for large, contemporary sculpture in Seattle grew from a discussion in 1996 between Seattle Art Museum director (and wife of William Gates Sr.) Mimi Gardner Gates and Martha Wyckoff while stranded on a fly fishing trip in Mongolia due to a helicopter crash. Wykoff, being a trustee of the Trust for Public Land, soon after began an effort to identify possible locations for the park.
A million gift from Mary and Jon Shirley (former COO of Microsoft and Chairman of the Seattle Art Museum Board of Directors) established them as foundational donors.[5] As part of constructing the sculpture park, 5.7 million dollars were spent transforming 1,000 feet of the seawall and underwater shoreline inside Myrtle Edwards park. A three level underwater slope was built with 50,000 tonnes of riprap. The first level of the slope is large rocks to break up waves. The second is a flat "bench" level to recreate an intertidal zone. The lower level is covered with smaller rocks designed to attract sealife and large kelp. It is hoped that this recreated strand will help revitalise juvenile salmon from the Duwamish River and serve as a test for future efforts.
Maintenance of the sculptures has been an ongoing issue. The environment near a large salt water body has been corrosive to pieces like Bunyon’s Chess, made primarily of exposed wood and metal. Tall painted pieces such as Eagle need to be watched for damage from birds and their waste. Maintenance of these large structures is expensive, requiring scaffolding or boom lifts. The paint on Eagle is also damaged by grass clippings near the base of its installation, requiring the gardeners to use scissors instead of a lawn mower near the sculpture.
en.wikipedia.org/wiki/Olympic_Sculpture_Park
www.weissmanfredi.com/project/seattle-art-museum-olympic-…
www.seattleartmuseum.org/visit/olympic-sculpture-park
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